top of page

KIM JIN WOO

The Forest

The Forest

130 x 60 x 40cm Stainless Steele, Aluminum 2019

Flying Man-21

Flying Man-21

Flying Man

Flying Man

The Forest

The Forest

The Forest

The Forest

Education
1999   Graduated from Kyung Hee University Graduate School of Fine Arts
1996   Graduated from Kyung Hee University in Fine Arts

Solo
2020   Secret of Evolution #J-4, Ministry of Food and Drug Safety(Lounge)
2019   The Secret of Evolution #J-3, Art Space Flask
2017   Secret of Evolution #J-1, Pohang Museum of Art
2016   New People Walk in the Forest, Daejeon Museum of Art
         The Drawing, Artspace H, Seoul
2015   A Paradigm Shift, Artspace H, Seoul
2014   Art Mora Residence Open Studio, Coohaus Gallery, New York
2011   Gallery Jinsun Windows 77 'Portrait of a New Humanity', Gallery Jinsun, Seoul
2010   Portrait of New People, Aqua Gallery-COEX
2004   Portrait of New People, Sejong Center for the Performing Arts
2001   Cheonmado, POSCO Gallery
1998   Life Expressions, Jongno Gallery

Group
2020   Push & Art, Gangdong Art Center Art
2019   Blue Blue, Choice Art Company
2018   Paradise of Light, Yangpyeong County Museum of Art
         Artist's object, "Peace & Piece", Paju Art Bunker
         Dot, Line, Face, Space; Emotional Wall, Rigak Art Museum, Cheonan
         Uijeongbu Arts Festival, Uijeongbu Arts Center
         Art Space Flask, Smaller Than Face
2017   Art Sebin Movement, Gallery Art Sebin
         Kinetic Art Festival, Siheung Vivalti Art House
         The Evolution of Wine Bottles, Gwangmyeong Cave, Lascaux Exhibition Hall
         Busan Sea Art Festival - Sea + Art + Play, Busan Dadaepo
         Artist Together Project, Museum of Modern Children's Books, Seongnam
         Taehwagang International Installation Art Festival, Ulsan
         Robot Diary - Fun Kinetic Art!, Siheung ABC Happiness Learning Town, Siheung, Gyeonggi Province
         The Chicken-The Virtue, Gallery Sein

         and many others

  Kim Jin Woo is a robot engineer and installation of kinetic public art, and embodies the evolving human figure as a robot. Animation and toys, which have been of interests to Kim since childhood, naturally became the subject of painting works by majoring in Fine Arts. The ridiculous yet violent slapstick expressions used in animations such as Disney, Betty Boop, Tom and Jerry in the past were attractive but unpleasant at the same time, made him focus on those sensations, using slapstick expression techniques used in animations to metaphorize social phenomena seen in the 21st century. Kim shows images by utilizing the characteristics of old animations seen on the screen, and divides the motion in slapstick direction into several layers or expresses one scene in contradictory situations. Visual direction shown in planar work expands to various media, leading to installations using animation and objects. Recently, coloring work using traditional oriental painting materials is being carried out, using immature stag with horns on branches, and CMYK colors are thinly used repeatedly expressing the paradox of splendor, death, and freedom in black and white, which are combined at the same time. (Source: Hello Metabus)

 

Artist's Note


  Anyone would have thought about the origin of humans, animals, and plants at least once. One of my various curiosities was the question of how humans were made, how they evolved, and how civilization was made. In my late 20s, I traveled to the birthplaces of human civilization and met various races, and was curious about their culture and history. Such an experience seems to have become a valuable resource to permeate the current work and create my world of work. 

 

bottom of page