KIM YONG JIN
오드리 헵번2024, steel on canvas, 106x186cm |
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달항아리100x110cm, 캔버스에 스틸(steel), 2017 |
스티븐120x120cm, 캔버스에 스틸(steel), 2019 |
BTS - 정국2022, steel on canvas, 38x38cm |
BTS - RM38x38cm, steel on canvas, 2022 |
BTS - 지민38x38cm, steel on canvas, 2022 |
Steve Jobs163x130cm, steel on canvas, 2019 |
기(기운)으로 가득한 기(그릇)170x156cm, steel on canvas |
Education
1990 Hongik University, Graduate School of Fine Arts, Department of Sculpture and Painting
Selected Solo Exhibitions
2016 Portrait of the Medium, Artpark Gallery, Seoul, Korea
2004 Invitational Exhibition, Full of Qi, Joseon Gallery, Seoul, Korea
2003 Invitational Exhibition, Intercontinental Hotel Asia Live Gallery, Seoul, Korea
2002 From the Center, Deokwon Gallery, Seoul, Korea
1996 Self Portrait Exhibition, Yoon Gallery, Seoul, Korea
1994 From Self to Process, Namu Gallery, Seoul, Korea
Selected Group Exhibitions
2021 Why We are Fascinated by Moon Jars, Gallery Now, Seoul, Korea
2019 Art Basel Miami, USA
2015 Kwon Jingyu Museum of Art, Seoul, Korea
2014 Maiemi Scope Art Fair, USA
2013 Korean collective, ALBEMARLE Gallery, London, UK
2011 Korean Contemporary Leonherd Ruethmvell, Basel, Switzerland
2008 Korean Flguative Art, DIE Galeria,Germany-Frankfurt
Collection
Seoul Museum of Art, Hanmi Art Museum, Seoul Asan Hospital, Korean Folk Village, Severance Hospital, Seoul Asan Hospital, Boryeong Pharmaceutical, Daemyung Leisure Industry, Kaesong Industrial Area (Comprehensive Support Center), Kiwoom Securities
About
Yongjin Kim graduated from Hongik University College of Fine Arts, Department of Sculpture. He pre-drills holes in the canvas, cuts wires into various thicknesses and lengths, and writes them on the canvas or twists the cut wires. The density varies depending on the spacing, height, and size of the wires, revealing a sense of contrast and space. He mainly depicts portraits and still life. It is characterized by the gathering of hard and strong wires to express the soft side. The expressions of the figures are detailed, and it takes the artist about two to three months to work on each piece. Yongjin Kim started working with wire when he couldn't read the newspaper one day and used a magnifying glass, and when he looked at it, the letters were dots. He wanted to create shapes with wire dots, just as the world and humans are built from cells and molecules.